Street
Art
The room was warm and fetid from the number of packed
bodies. Seeking refuge from the weekly torture of accompanying my 55-year-old mother
to a band rehearsal with other middle-aged amateurs, I trudged outside. Before
I could take a full breath of fresh air, I saw a man across the dark void of
the parking lot. A single street lamp revealed him as he sat hunched and cross-legged
intently applying abstract shapes to the sidewalk. Approaching cautiously, I saw
that he was old, haggard, and completely absorbed in his work. His nails were
caked with the chalk that he applied liberally to his makeshift canvas. His
clothes were covered with tears, paint spatters, and old grease stains. I could
smell years of chain smoking from 15 feet away. Even from this discrete
distance, I quickly concluded that this was not someone my mother would approve
of.
I didn’t think he was aware that anyone was watching him,
so I was surprised when I heard him clear his raspy throat and ask me, “See
anything you like there tiger?”
Embarrassed to be caught spying, I was at a loss for
words. The man continued to draw, until I let slip, “My mother wouldn’t want me
to speak with someone like you.”
“Oh?” The man coughed and wheezed as he laughed. He
cleared his throat again and finally looked up from his work. The shadow cast
from his hat left a dark negative space where his eyes should have been. “Why
would she think a thing like that?”
“Because…” I murmured, “She says you have to be careful
and only associate with certain people. She says the good kids do music.”
I flinched, immediately
aware that this insolent remark might provoke unwelcome consequences. Unfazed,
the old man reached into a bucket of chalk, pulled out a few pieces and
selected a new color. “Well, your mother just wants what’s best for you,” he
offered.
This
sounded like a sane statement from someone who wasn’t going to do anything really
dangerous, so I edged closer and finally asked, “What are you doing?”
He then made a big, board gesture with his
whole arm circumscribing his entire creation with an impressive mark. “Art,” he
said.
Feeling
an inexplicable need to defend the concrete he was defacing, I asked, “Isn’t
art supposed to be done with a pencil on paper?”
The
man scratched his scraggly beard, tried for a time to express with his knobby
hands what he was about to explain, gave up, and said, “How would you know, you’ve never done it,
you’ve never tried?”
“Well, what you would you know? I asked annoyed
and full of emotion that this vagrant would challenge me. “You’re nothing but a
stupid bum who thinks he’s making art.”
The man stopped mid
mark and turned revealing aged skin and clear, blue eyes. “Art's an
expression.” he retaliated. “It's an extension of who you are. It's a story you
tell through your eyes. It is how you express yourself and make sense of the
world around you.” Gesturing to his soul he continued, “Creating art fills you
with a force” he then smiled, “A joy that you can’t go without. It gives you
purpose, it keeps you going. Even in the hard times. Even in the cold
times.” A tear of truth ran down his
face as he then spoke through gritted teeth “Even when the voices say you
can’t, say you’re no good, say quit, and do what is to be expected of you.” I
could feel a bag of brick sink into my stomach. “The artist is one who feels
the roar of creativity rush through them.
Who does their art because that’s how they live, how they breathe.”
Recognizing his
louder tone and upward stance, the old man found his hands trembling with
emotion. Taking a moment he calmed down and kneeled back down to his work. The
old man opened his hand to find a piece of crumbled chalk. He slowly pushed the
colored dust around in his hand letting the chalk smear and then fall to the
ground. Then, taking one heavy hand in the other he bowed his head to his weathered
caked hands and said, “It’s a medium that speaks across all languages.” Stopped
for a beat, he suddenly said softly, “It's music.”
Music? I finally
glanced down to actually look at what it was he was working on. The sidewalk outside
the concert hall was suddenly covered in a symphony of colors, shapes, symbols,
and observations beautifully captured on slabs of concrete. Each mark was
planned, expressive, and so filled with life that I felt weak.
The man kept
working for a moment then turned abruptly catching sight of the soft tears forming
on my face before I had a chance to wipe them away. Taking off his hat, he
scratched his messy, graying hair, and looked at me squarely. “Do you want to…”
He began. “Do you want to, pull up some
sidewalk and draw with me?
He gave me an encouraging
smile and gestured to the patch of concrete next to his. I crawled over to this
fresh canvas glancing at the old man as the light caught what looked like a
tear of his own. “Do you have any blue?” I asked.
Here's the short film adaption of the short story. It was super challenging working in live-action. I learned a lot in leading a team but overall it further cemented the fact that I love working in the animation medium.... After this project, I definitely have a new-found respect for live-action films and all their challenges in location shooting, on the spot problem solving and team management.
Here's the short film adaption of the short story. It was super challenging working in live-action. I learned a lot in leading a team but overall it further cemented the fact that I love working in the animation medium.... After this project, I definitely have a new-found respect for live-action films and all their challenges in location shooting, on the spot problem solving and team management.
No comments:
Post a Comment